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Source book · Chapter 30 · Series 3

Communion with Satan

PDF pages 201–207 · 11 minute read · Espresso · Mahakali Studios

Original source text
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“Communion with Satan” is a phrase that carries sharply different meanings depending on religious tradition, historical setting, and personal belief. For some, it names a feared act of spiritual rebellion: a deliberate turning away from God and toward evil. For others, particularly within modern Satanist movements, it is symbolic language for self-knowledge, autonomy, skepticism, and resistance to authoritarianism. In occult and esoteric literature, it may describe meditation upon an adversarial spiritual figure, the pursuit of forbidden knowledge, or a dramatic ritual of personal transformation.

A responsible understanding begins by recognizing that there is no single, universally shared Satan and no single practice called communion. The figure called Satan has developed over centuries through Jewish, Christian, Islamic, literary, philosophical, and occult traditions. What one community regards as worship of evil, another may understand as mythic engagement, metaphor, or spiritual dissent.

This chapter examines the idea of communion with Satan as a historical, theological, and cultural subject. It does not assume that Satan is objectively present, absent, benevolent, or malevolent. Instead, it considers what people have meant when they have claimed to oppose, invoke, fear, reject, or identify with this enduring figure.

The Meaning of “Communion”

The word communion comes from the Latin communio, meaning fellowship, sharing, or participation. In Christian usage, it is especially associated with the Eucharist: a sacred participation in the life, sacrifice, and community of Christ. To speak of communion with Satan therefore deliberately echoes powerful religious language. It suggests more than casual interest. It implies relationship, allegiance, identification, or shared purpose.

That implication explains why the phrase has often provoked anxiety. Within much of Christian theology, Satan is not merely a rival religious symbol but the archetypal opponent of God: tempter, accuser, deceiver, and adversary. Communion with Satan, in this framework, is understood as a rejection of divine grace and moral order.

Yet the phrase may function very differently outside orthodox Christianity. A person may use it to mean:

• contemplation of Satan as a literary or symbolic figure;

• identification with the rebel, outsider, critic, or challenger of authority;

• participation in a Satanist religious community;

• an occult attempt to contact or honor an entity understood as Satan;

• psychological work involving the “shadow,” taboo desires, anger, independence, or social alienation;

• a provocative rejection of religious systems that the person regards as oppressive.

These meanings should not be collapsed into one another. Symbolic Satanism is not the same as theistic Satanism; literary admiration is not religious devotion; and the fears associated with historical accusations of devil worship do not necessarily describe actual modern practice.

Satan Before “Satanism”

The modern image of Satan emerged gradually. In the Hebrew Bible, the term satan initially functions more as a role than as a personal name. It means “adversary” or “accuser.” In the Book of Job, ha-satan—“the accuser”—appears within the heavenly court and challenges the righteousness of Job. This figure is not yet the independent cosmic enemy of God familiar from later Christian imagination.

Over time, especially in Jewish writings of the Second Temple period, concepts of evil became more developed and personalized. Figures such as Belial, Mastema, and the leader of rebellious angels appear in various texts. The New Testament then presents Satan as a more clearly defined adversarial power associated with temptation, deception, demonic forces, and opposition to the kingdom of God.

Christian theology further intensified this portrait. Influenced by passages such as Isaiah 14 and Ezekiel 28—texts that originally concern earthly kings but were later interpreted in relation to Satan—many Christians came to envision the devil as a fallen angel cast from heaven through pride. The image was amplified by later literature, art, sermons, and medieval drama.

The Satan of popular imagination owes as much to poets and painters as to scripture. Dante’s frozen, monstrous Lucifer in Inferno, John Milton’s eloquent rebel in Paradise Lost, and the seductive or charismatic devil of Romantic literature have all shaped the figure’s cultural power. By the nineteenth century, Satan could appear not only as the enemy of salvation but also as a symbol of revolt against tyranny, dogma, and convention.

Christian Understandings: Communion as Separation

For orthodox Christians, communion with Satan is generally understood as incompatible with communion with God. Christian baptismal traditions have often included a renunciation of “Satan and all his works,” expressing a transfer of allegiance from darkness to divine life. The language is not merely ceremonial; it frames moral and spiritual life as a struggle between truth and falsehood, love and cruelty, humility and pride.

In this context, Satan is not normally understood as an alternative source of wisdom or liberation. The temptation narrative in the Gospels is foundational: Satan offers Jesus power, spectacle, and worldly dominion, but these offers are interpreted as distortions of true authority and vocation. The danger lies not only in obvious wrongdoing but in attractive falsehoods—goods pursued without love, power without responsibility, freedom without moral truth.

Christian pastoral care therefore tends to treat an expressed desire for communion with Satan seriously, especially when it is accompanied by fear, compulsive behavior, self-harm, experiences of coercion, or beliefs that cause distress. Responses vary widely among denominations. Some emphasize prayer, confession, community support, and spiritual direction; others may employ formal rites of deliverance or exorcism under strict ecclesial oversight.

At its best, such care should avoid sensationalism. Religious fear can deepen vulnerability, particularly when a person is struggling with trauma, isolation, anxiety, or psychosis. Spiritual concerns and mental-health concerns need not be treated as mutually exclusive. Compassionate support may include trusted clergy, qualified mental-health professionals, family, and community.

Satan as Symbol: Modern Satanism

Modern Satanism is diverse, and it is frequently misunderstood. Most contemporary Satanist organizations do not worship a literal supernatural devil. Instead, they use Satan as a symbolic figure representing values such as personal sovereignty, rational inquiry, bodily autonomy, opposition to arbitrary authority, and resistance to religious coercion.

LaVeyan Satanism

The Church of Satan, founded by Anton Szandor LaVey in 1966, is among the best-known forms of modern Satanism. LaVeyan Satanism is generally atheistic. Satan is treated not as a being to be obeyed but as a symbol of human nature, self-interest, individuality, and defiance of hypocrisy.

LaVeyan ritual, where practiced, is commonly understood as psychodrama: a theatrical and emotionally focused means of expressing desire, anger, grief, or determination. It does not depend on belief in a literal Satan. Its critics often object to its ethical emphasis on egoism or its deliberately provocative imagery, while adherents argue that its symbolism challenges guilt-based moral systems.

The Satanic Temple

The Satanic Temple, established in the twenty-first century, also uses Satan symbolically rather than as a literal deity. It is especially known for public advocacy concerning religious pluralism, reproductive rights, and the separation of church and state. Its stated ethical principles emphasize compassion, justice, bodily inviolability, scientific understanding, and the freedom to offend.

The Satanic Temple’s public presence demonstrates an important point: the word Satanist does not automatically identify a person as a believer in supernatural evil. For many members, Satan is a dramatic cultural emblem of dissent. Their rituals may be meaningful without being theistic, much as secular memorials or civic ceremonies may carry emotional and moral weight without invoking divine beings.

Theistic and Esoteric Satanism

Other groups and individuals do understand Satan, Lucifer, or related figures as real spiritual intelligences. Their beliefs vary considerably. Some regard Lucifer as a bringer of enlightenment or liberation; some distinguish Lucifer from Satan; some combine ceremonial magic, Gnosticism, paganism, demonology, or personal revelation. Others identify with broader “Left-Hand Path” traditions, which often emphasize self-deification, transgression, or spiritual independence.

No single institution speaks for all theistic Satanists. Their practices and ethics may differ profoundly, ranging from contemplative devotion to elaborate ceremonial work. It is therefore inaccurate to assume either that all Satanists are atheists or that all are engaged in a uniform form of devil worship.

The Literary and Philosophical Satan

Satan’s symbolic appeal cannot be understood only through religion. In literature, he has often represented the dignity and danger of refusal.

Milton’s Satan, though ultimately condemned within the poem’s theology, speaks with memorable grandeur: “Better to reign in Hell, than serve in Heaven.” Romantic writers such as William Blake and Percy Bysshe Shelley found in Satanic imagery a language for criticizing political repression, religious moralism, and social conformity. Blake famously argued that Milton was “of the Devil’s party without knowing it,” meaning that the poet’s imaginative energy seemed drawn to rebellion even while his formal theology opposed it.

This literary Satan is not necessarily admirable. He can symbolize courage, but also vanity; liberation, but also self-destruction; the refusal of tyranny, but also the inability to accept limitation or relationship. The figure endures because he dramatizes a permanent human question: when does resistance become moral courage, and when does it become the worship of one’s own will?

To commune with Satan in a literary sense may therefore mean to wrestle with forbidden questions. It may involve asking whether inherited authority deserves obedience, whether guilt has been used as a tool of control, or whether the rejected parts of the self deserve attention rather than denial. Such inquiry need not lead to anti-Christian or anti-religious conclusions. It can also deepen a person’s understanding of conscience, freedom, and moral responsibility.

The Psychology of the Adversary

Psychological interpretations can help explain why Satanic imagery holds power even for those who do not believe in spiritual entities. Carl Jung and later depth psychologists wrote about the “shadow”: those aspects of personality that individuals or societies disown, repress, and project onto others. Anger, sexuality, ambition, envy, aggression, and the desire for power may become shadow material when they are denied rather than consciously examined.

In this light, Satan may represent the rejected adversary within the psyche. “Communion” could mean encountering what one has been taught to fear in oneself. That encounter is not the same as endorsing every impulse. Mature psychological work asks a more demanding question: how can difficult emotions and instincts be acknowledged, understood, and integrated without allowing them to dominate behavior?

A person who has been trained to suppress anger, for example, may experience anger as demonic or shameful. Yet anger can signal violated boundaries or injustice. Similarly, a person whose religious environment equates all doubt with rebellion may discover that honest questioning is necessary for intellectual and spiritual maturity. The work is to distinguish healthy self-possession from cruelty, independent thought from isolation, and liberation from self-deception.

Historical Panic and the Myth of the Satanic Cult

European history contains many accusations of secret devil worship, often directed against marginalized groups, religious minorities, women accused of witchcraft, political opponents, and social outsiders. During the early modern witch trials, confessions of pacts with the devil were frequently extracted under coercion, torture, or extreme pressure. These accounts cannot be read simply as transparent reports of organized Satanic religion.

In the twentieth century, the “Satanic Panic” of the 1980s and early 1990s produced widespread claims of hidden ritual-abuse networks, particularly in North America and Britain. Investigations found that many sensational allegations lacked credible evidence. The panic caused real harm: families were divided, childcare workers and others were falsely accused, and anxiety was intensified by media sensationalism.

This history is essential because discussions of Satanism easily invite fantasy, fear, and moral panic. Serious scholarship distinguishes between documented religious movements, individual claims of spiritual experience, criminal acts committed by particular people, and imagined conspiracies projected onto unfamiliar subcultures. Crime, abuse, and coercion should always be condemned and investigated on their own evidence—not attributed to a religious label, aesthetic, or rumor.

Ethics, Consent, and Human Dignity

Whether one approaches Satan as a literal being, a metaphor, a literary character, or a religious symbol, ethical questions remain central. Spirituality becomes dangerous when it justifies harm, isolates people from support, demands unquestioning obedience, exploits fear, or excuses abuse as sacred necessity.

Healthy religious or philosophical communities should make room for informed consent, personal boundaries, critical thought, and accountability. No spiritual leader, group, or ideology should be permitted to override a person’s bodily autonomy, finances, relationships, or access to independent information. Claims of supernatural authority deserve particular scrutiny when they are used to demand secrecy or submission.

For people emerging from fear-based religious environments, Satanic imagery can sometimes feel emancipatory because it reverses the symbols of shame. For others, the same imagery may be deeply distressing because of personal faith, trauma, or cultural history. Both responses are understandable. Respect requires allowing people to name their own experience without ridicule.

A Question of Allegiance

Ultimately, communion with Satan is a question of what Satan signifies to the person using the phrase. In Christian theology, it names a tragic allegiance to deception and separation from divine love. In symbolic Satanism, it may express a commitment to autonomy, reason, and dissent. In occult practice, it may indicate a relationship with an adversarial spiritual power. In literature and psychology, it may describe an encounter with rebellion, shadow, taboo, or the problem of freedom.

The symbol remains powerful because it does not permit easy answers. It calls attention to the allure of forbidden knowledge, the seduction of power, the pain of exclusion, and the human longing to stand apart. It also asks whether standing apart can become another form of captivity.

A mature engagement with the subject resists both sensational fear and romantic simplification. Satan is neither reducible to a cartoon villain nor automatically redeemable as a hero of freedom. Across centuries of religious thought and cultural expression, the adversary remains a mirror: reflecting humanity’s conflicts over authority, conscience, desire, dignity, and the difficult use of freedom.

Further Reading

• Elaine Pagels, The Origin of Satan (1995).

• Jeffrey Burton Russell, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity (1977), and subsequent volumes in his history of the devil.

• Anton Szandor LaVey, The Satanic Bible (1969).

• Christopher H. Partridge, ed., The Occult World (2015).

• Massimo Introvigne, Satanism: A Social History (2016).

• David G. Bromley, Susan G. Ainsley, and others, scholarship on the Satanic Panic and moral panics surrounding ritual abuse.

• John Milton, Paradise Lost (1667).

• William Blake, The Marriage of Heaven and Hell (c. 1790–1793).

Original text from Satan — The Secret Angel, chapter 30, PDF pp. 201–207. Produced by Espresso · Mahakali Studios. This chapter presents the source book’s perspectives; its claims are not automatically historically verified. It is distinct from the website’s sourced historical overview and modern reflections.